Cat Number Two

It’s much harder to sell a script than a novel because compared to publishing there are many fewer people who can make a go decision by an order of magnitude. There are precisely 4 people in the UK who can, on their own authority, order a TV drama script made. Everybody else you talk to, everybody else you have meetings with, everybody except for those 4 (don’t ask who they are) is merely a stepping stone to a final decision by the the people that can. All of these people have opinions, some of them can read a script and some cannot but that is irrelevent – good or bad your script is entirely dependent on their good will to advance. The fact is you could write a fabulous script that was loved by all who read it, championed by a giant in the industry and it could still not be made because one of those 4 didn’t like cop shows/SF/men with beards/historical dramas or whatever or may merely have spent their drama budget that year.
If, despite knowing this, you still felt a need to repeatedly bang your head against a brick wall than the book to buy is ‘Save the Cat’ by Blake Snyder. This is the best common sense book on script writing I have ever read and if you study it closely and understand it properly then you will have the satisfaction of knowing that your rejected script was at least a good one. Then having got this strange urge to hurt yourself badly out of the way you can go do something useful with your life – like accountancy. As I said to the Evil Monster Boy everybody loves an accountant, especially in March.

About Paul Graham Raven

Science fiction, foresight, (post)humanities, infrastructure futures research. Guitarist, scruffy mountebank. Opinions mine, not my employer's. Velcro City ·
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